Comparative Jewelry of Europe and Asia

Comparative Jewelry of Europe and Asia

19th century French plays an important role as a center of European culture that has been greatly influenced by the traditions of other nations, the French influence in the art of jewelry in the late 19th - early 20th century are discussed in the. work of Peter Hinks (jewelry, 19th century, London, 1975), Charlotte gear (jewelry, America and Europe, Crown, 1975), Frederick Burges (jewelry, antiques and trinkets, London, New York, 1919) and many more.Analysis of the ornaments of the French art of this period, many researchers have pointed out the influence of the East. With elements of Indian and Japanese, we would like to highlight the strong influence of Central Asia, proved by a comparative analysis of the accessory head of the Europe and Central Asia.The author was forced to write this article after the analysis of the tiara that Josephine was the first wife of Napoleon Bonaparte. As a result of this analysis is founded on this kind of jewelry that was popular in England, Vienna and St. Petersburg (Belle Epoque of French Jewellery, 1850-1910).Since ancient times, forehead adornments (the forehead), the social status of the wearer of these adornments are often used as part of the wedding band of the diadems in the ancient times has been shown not only. But the discovery of the Oxus treasure, like a picture of a goose (2nd century) is located in the British Museum in London and found in the late 19th century on the territory of Central Asia (south of Tadzhikistan, Dalton O., 1964. ), but also in written sources.Kabaghnga Tillya - Tepe discovered in the tombs of the kings in the territory of modern Afghanistan was fashioned out of gold, the best (Sarianidi V., Bactrian Gold, L., 1985) in the northern part of Afghanistan's ancient. part of the same territory in southern Uzbekistan and Afghanistan.We recommend that the Central Asian diadems Tillya - kosh (Tilla - Kosh) is one of the adornments of the forehead and was made in the style of traditional Similar articles in Tillya Tepe.It is possible that this type of design that combines the features of the forehead and garlands of flowers, gold, meat preferred by different people in ancient times. (FakhretdinovaD., Yuvelirnoe iskusstvo Uzbekistana, Tashkent, 1988, p. 97).It seems appropriate to mention the image of God, and musicians on the eastern sky in the painting, ceramics, sculpture and relief (reliefs of Ayrtama, ceramics from Dilberdzhin, etc.).Designed to reflect changes in the historical and cultural characteristics of each era.Scientists and educators. ethnographers in Central Asia - Sukhareva O., Borozna N., Chvyr L. - The Tillya - kosh refurbished Royal Commission on the work front, decorated with precious stones or semi-precious stones, and later with stained glass.Made in the form of a "gold trim" - tillya - kosh (. Tadzhik., Uzb), tiara, which is typical for regions such as Samarkand, Tashkent, and Ura - Tyube earlier researchers, A. Shishov (. Sarty,. SB materialov dlya statistiki Syrdaryinskoj oblasti, TX1, Tashkent, 1904) presented details of the Royal Commission that "headdress Tillya - kosh a large silver plate in the shape of the brow arch, cut the heart. Below is a pendant attached to a thin sheet is soldered on the top edge to form a complex that is beautiful. "In D. Fahretdinova 's (1988), the author provides a detailed analysis of the power of the royal wedding of Tillya - kosh, a symbol of purity and holiness.The design of Mkuฎ Tillya - kosh is replicated by Gem French companies, such as "Maison Cartier," "Maison Choumet '" (Maison Choumet a family of gemstones that come from the popularity of Schwäbisch Hall in Paris for more than 250. years) as well as the start of the Bapst (founded in 1725, Bapst starting to cover in1788).Thanks to the detailed analysis of the diadems, we know that the French gem that tends to keep the top of the Tillya - kosh; But those familiar with the symbols of the celestial sphere and turquoise water) is often substituted for the popular Diamond. Europe during that time. According to the Encyclopedia of Symbols (Udo Becker, New York 1994, p.83), the diamond is a symbol of the spirit of cleanliness and security. In India, for example, diamond is a symbol of immortality - the throne of the Buddha is made of diamonds. Europeans believed that diamonds had the power to prevent the treatment of poisoning, driving away the wild animals, witches and ghosts diamonds can also make the wearer invisible, and to assist women in pursuing men. During the Renaissance, diamonds are a symbol of courage and bravery.Most of the attention paid to the impact of the French decorative changes to the symbol in the diadems of Central Asia are based on Buddhism and the traditional skills of the jewelers in India today. But the connection between the two schools in making the obvious.The Royal Commission of France, which is the center of a circle, instead of tearing open a semi-circle